(Case study) — Selected work

Drift

Drift

Drift

for

for

for

Short film

Short film

Short film

Year

2025

Location

Merzouga, MA

Role

Direction and camera

Format

Short film — 4 min

(Brief)

A figure, fifteen metres of orange fabric and a dune that kept moving. Shot over three mornings in the Erg Chebbi.

A figure, fifteen metres of orange fabric and a dune that kept moving. Shot over three mornings in the Erg Chebbi.

A figure, fifteen metres of orange fabric and a dune that kept moving. Shot over three mornings in the Erg Chebbi.

(The journey)

(The journey)

The Problem

Drift — The Problem

For Drift, the creative challenge was to create an emotional story from a deliberately limited set of elements. We approached the work as a question of brand expression: what should a viewer notice first, and what should stay with them afterwards? Rather than making every image do everything, our draft direction starts with a focused visual idea that can connect the whole story.


Brand Strategy

Drift — Brand Strategy

The organising idea was a moving figure and orange fabric within a changing desert landscape. This gives the project a clear point of view before individual compositions are considered. For a branding client, that distinction matters: a visual system should express an intention, not simply a collection of preferences. Here, the concept creates a consistent reference point for colour, atmosphere and image selection.

The Process

Drift — The Process

The practical approach centred on three mornings in the Erg Chebbi, allowing movement and landscape to guide the camera. A figure, fifteen metres of orange fabric and a dune that kept moving. Shot over three mornings in the Erg Chebbi. These constraints provide a useful framework for understanding how the work was made. Each image can explore a different moment while remaining connected to the same creative premise.


Creative Development

Drift — Creative Development

The key visual relationship is the contrast between human scale and the shifting dune. We use that relationship to explain how individual choices support the larger direction. Framing, pacing and emphasis should reinforce the idea rather than compete for attention. This section is an editable account of the creative reasoning, ready to be refined with the actual decisions and iterations from the project.

The Solution

Drift — The Solution

The direction for Short film brings the work together through a repeatable visual language. The goal is coherence without sameness: retain the characteristics that make Drift identifiable, while allowing enough variation for the story to develop. The images below and throughout the case study illustrate that relationship between an overall concept and its individual expressions.


The Outcome

Drift — The Outcome

Drift demonstrates how a focused idea can connect strategy and execution. The value for a brand lies in making the creative direction easier to recognise, explain and apply consistently. This is a qualitative draft, not a claim of measured business results. Replace this section with the final deliverables, client feedback and verified outcomes when those details are available.

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(Credits)

Direction — Ines Varga
Movement — Lina Haddad
Sound — Nour Studio
Colour — Grade House

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